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Please right-click on the following blue links to download the sheet music (scores & parts) and
audio samples |
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·
Danzas Latinoamericanas / Latin American Dances
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I. Otoño en Buenos Aires / Autumn in Buenos Aires
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II. Pan de Azúcar / Sugar Loaf Mountain
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III. Atardecer
Tapatío / Sunset in Guadalajara
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·
Commissioned by and
dedicated to Mexican cellist Carlos Prieto ·
Length: 10 to 15 minutes
for all 3 movements (depending on the version), approximately 3 to 4 minutes
per movement ·
Mood: festive, lyrical,
Latin, energetic ·
Movements: Three movements.
They can be performed as a suite or independently ·
Description: Danzas
Latinoamericanas is a suite consisting of 3 movements inspired by dances from
Argentina (tango), Brazil (bossa nova), and Mexico (jarabe) respectively. |
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SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Scores that
include STRINGS (either STRING ORCHESTRA or STRING QUINTET)
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Strings, Alto Saxophone soloist
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score & parts (all 3 movements)
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SAXOPHONE SOLO
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Alto Saxophone solo
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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DUETS that
include SAXOPHONE
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2 Alto Saxophone
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score & parts (all 3 movements)
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Alto Saxophone, Baritone Saxophone
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score & parts (all 3 movements)
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Alto Saxophone, Bassoon
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Alto Saxophone, Piano
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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audio - movement #3
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Alto Saxophone, Accordion
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score & parts - movement #1
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Alto Saxophone, Guitar
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Alto Saxophone, Cello
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score & parts (all 3 movements)
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audio - movement #1
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Alto Saxophone, Violin
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score & parts (all 3 movements)
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Alto Saxophone, Viola
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score & parts (all 3 movements)
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TRIOS,
QUARTETS, or QUINTETS that include SAXOPHONE
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2 Alto Saxophone, Piano
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score & parts (all 3 movements)
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Alto Saxophone, Cello, Violin
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score & parts (all 3 movements)
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Alto Saxophone, Cello, Piano
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score & parts (all 3 movements)
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Alto Saxophone, Violin, Piano
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Alto Saxophone, Viola, Piano
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score & parts (all 3 movements)
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Tenor Saxophone, Cello, Piano
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score & parts - movement #2
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Saxophone Quartet
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Reed Quintet
*
Arrangement by Natalie Zemba
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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La Alborada de la Esperanza / The Dawn of Hope
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·
Commissioned by and
dedicated to French cellist Sébastien Hurtaud ·
Length: 4 minutes ·
Mood: contemplative, lyrical ·
Description: "The Dawn of Hope" is a composition
about the journey from darkness to light. Just as the light of the rising sun
dissipates the darkness of the night, and fills us with the promise of a
bright and beautiful new day, hope and compassion give light to life's
challenges and remind us that we can overcome adversity and focuses on the
hope of a better future. |
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SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Scores that include STRINGS (either
STRING ORCHESTRA or STRING QUINTET)
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Strings, Alto
Saxophone soloist
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score & parts
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audio
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video
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SCORES that include SAXOPHONE (besides
those in the lists above)
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Alto Saxophone,
Piano
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score & parts
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audio
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video
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Alto Saxophone,
Cello
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score & parts
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Alto Saxophone,
Cello, Piano
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score & parts
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Alto Saxophone, Harp
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score & parts
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Soprano
Saxophone, Cello
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score & parts
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Die Nachtblume / The Night Flower / La Flor Nocturna
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·
Length: 4 minutes ·
Mood: contemplative, lyrical, tender ·
Note: This is the second movement of “The Legend of the Noble
Knight”. It works very well as an independent piece. ·
Description: The composer was inspired by the poems of Baron
Joseph von Eichendorff, and in particular, by the idea of the delicate and
elusive “blue flower” that represents the balance of humanity with nature and
spirituality. This piece attempts to provide a musical commentary about the
ephemeral beauty and significance of The Night Flower (Die Nachtblume). |
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SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Violin,
Alto Saxophone
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score & parts
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Die Legende des edlen Ritters
The Legend of the Noble Knight / La Leyenda del Noble
Caballero
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I. Unter dem Sternenhimmel
des Rheins / Under the starry sky of
the Rhine
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II. Die Nachtblume / The Night Flower
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III. Loreleis Erlösung
/ Lorelei’s Redemption
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IV. Der Empfang
des Helden / A Hero’s Welcome
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·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 15 minutes ·
Mood: epic, cinematic, lyrical ·
Movements: Suite in four movements ·
Description: o 1. Under the starry sky of the Rhine. This movement was originally written as a
stand-alone piece and was commissioned by German cellist Benedict Klöckner as
a companion piece for Bach’s Cello Suites. The composer was particularly
inspired by Mr. Klöckner’s performance of the Gigue in Bach’s Cello Suite #6,
and even incorporates some quotes from that piece in his composition. In his
attempt to include other elements that referenced Mr. Klöckner’s homeland in
Rhineland-Palatinate, he was inspired by the evocative landscapes and
medieval castles of the region, as well as the legends associated with them. o 2. The Night Flower. Inspired by the poems of Baron Joseph von
Eichendorff led him to becoming enamored with the idea of the delicate and
elusive “blue flower” that represents the balance of humanity with nature and
spirituality. The second movement attempts to provide a musical comment about
the ephemeral beauty and significance of the night flower. o 3. Lorelei’s Redemption. This movement uses the Gregorian Chant Dies Irae
(Day of Wrath) and variations of it to represent the chant of the Lorelei, in
an attempt to incorporate the legend of the unfortunate
maiden-turned-enchantress associated with one of the geologic features of the
banks of the Rhine. o 4. A Hero’s Welcome. This movement synthesizes the various musical and
extra-musical themes introduced throughout the piece, bringing back, among
other things, the melodies associated with the Bach Gigue from the Cello
Suite #6. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Orchestra, Alto
Saxophone Soloist
Alto
saxophone soloist, strings, 1 flute, 1 oboe, 1 clarinet, 1 trumpet, 1 horn,
percussion (timpani, triangle and bells)
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score & parts
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audio
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video
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audio
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audio
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audio
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String
Orchestra (percussion optional), Alto Saxophone Soloist
Alto
saxophone soloist, strings,
--with
optional percussion (timpani, triangle and bells)
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score & parts
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Violin, Alto
Saxophone
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score & parts
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Alto Saxophone, Piano
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score & parts
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Cherry Blossoms
/ Cerezos en Flor
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·
Dedicated to
Benedict Klöckner and Clémence de Forceville ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: This is a piece about grace in the face of great
sorrow, and how the simplest most delicate things in life can sometimes
produce the deepest effects in our hearts. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Alto
Saxophone
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score & parts
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audio
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video
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Piano, Cello, Alto Saxophone
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score & parts
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Crepúsculos / Twilights / Alpenglow
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·
Commissioned by and
dedicated to Turkish flutist Sefika Kutluer ·
Length: 4:30 minutes ·
Mood: contemplative,
lyrical ·
Description: Alpenglow is a
specific type of twilight, consisting of a magical pinkish or orange light
that appears at the top of the Alps right before the sun goes down. The piece
is sweet but melancholic, with some elements of minimalist and impressionist
inspiration. In the versions with piano, the piano plays a "moto
perpetuo". This continuous stream of sound is sometimes sweet and
tender, other times more angular, and sometimes it quotes the Gregorian chant
of death, the "Dies Irae". It's meant to represent the inexorable
passing of time, which includes moments of joy, sorrow, mourning, etc. The
main melody of the soloist instrument is meant to be a comforting, warm and
consoling presence that accompanies the listener in this meditation about
life and death. The intention of the piece is to evoke a moment of joyful
serenity. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String Orchestra, Alto Saxophone soloist,
and Piano (optional)
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score & parts
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Alto Saxophone, Piano
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score & parts
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audio
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video
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Limoncello
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·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 4 minutes ·
Mood: light, serenely
joyful ·
Description: Limoncello is a very
sweet, peaceful, lyrical and tonal piece. It was written at the same time as
“The Dawn of Hope” and “Crepúsculos” (Twilights),
after the composer had lost someone very dear to him. While “The Dawn of
Hope” is about acknowledging the challenges in life, but using the
transforming energy of love and compassion to find hope for the future,
Limoncello is about that moment in which one can smile again after a tragedy,
and see the beauty of life again. “Crepúsculos” is
a meditation about the inexorable passing of time. Even though “Limoncello”
is "sunnier" and brighter than the other two pieces, it evokes a
sense of noble gentleness and tenderness. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String
Orchestra (with optional piano),
Alto Saxophone
soloist
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score & parts
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Cello, Alto
Saxophone
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score & parts
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Alto Saxophone,
Piano
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score & parts
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audio
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video
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Alto Saxophone, Harp
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score & parts
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Despapaye
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·
Commissioned by and
dedicated to Venezuelan conductor and flutist Orlando Cela ·
Length: 4 minutes ·
Mood: light, joyful, with
a bit of humor ·
Description: This composition
combines Baroque elements with Latin American salsa. This piece is intended
for Pops, light concerts or as a fun encore. It starts as a standard Baroque
dance, but at some point “peculiar” things start to happen (seemingly
out-of-place glissandos, pizzicatos, etc) that
eventually transform the piece into a very fun and rhythmic salsa. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
String Orchestra, Alto Saxophone soloist
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score & parts
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String Orchestra with piano, Alto Saxophone
soloist
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score & parts
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Canción
de Cuna (Lullaby)
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·
Dedicated to WCRB
Boston Classical Music radio personality Laura Carlo ·
Length: 4 minutes ·
Mood: contemplative, lyrical, tender ·
Description: As the title indicates, Canción de Cuna is a tender
lullaby, hence its simplicity and the composer’s choice of a tonal, lyrical
and straight-forward musical language. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
Alto Saxophone,
Piano
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score & parts
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Princesa de Hadas (Fairy Tale Princess)
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·
Commissioned by
Prof. Patricio F. Mendez ·
Length: 4 minutes ·
Mood: lyrical, tender ·
Description: Princesa de Hadas was commissioned by Argentine
poet Patricio Méndez in 1996. The orchestral version was created for Şefika Kutluer, who has championed it around the world.
The title of this piece refers to a verse from a poem by Méndez, where he
describes his beloved as a “fairy tale princess.” The musical material is
deliberately simple, tonal, and lyrical, in an attempt to evoke the innocence
and romanticism of the world created by the poet for his fairy tale princess. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Alto Saxophone,
Harp
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score & parts
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Excursión a la Montaña (Excursion to the Mountain)
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·
Dedicated to flutist
Kim Sopata Fleuchaus ·
Length: 6 minutes ·
Mood: atmospheric, peaceful, pastoral ·
Description: Excursión a la Montaña tells the story of the first
excursion of a child to the top of a little mountain. Stylistically, the
piece is inspired by the music of Debussy and Prokofiev. In addition to
impressionistic harmonies, it incorporates elements of Mexican music and
Spanish Flamenco music. This piece was originally written for a friend of the
composer, flutist Kim Sopata. This piece has been championed, in particular,
by flutists Orlando Cela and Sefika Kutluer, who have performed it
extensively around the world. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Alto Sax Solo
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score
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audio
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Baroque
Dances
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·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 7 minutes ·
Description: Baroque Dances is a
suite of 3 short dances in Baroque style, inspired by Bach’s cello suites. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Cello, Soprano Saxophone
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score
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Hacia
Belén (Towards
Betlehem) - ARRANGEMENT
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·
Dedicated to Julie
Reimann and Ellyses Kuan ·
Length: 4 minutes ·
Mood: playful, energetic, with flamenco influence in the
intermediate section of the piece ·
Description: This is not an original composition, but rather a
playful and fanciful arrangement of a well-known Christmas Carol from the
XVIII Century by Antonio Soler (“Hacia Belén va una burra, rin rin”). This arrangement presents a fun and unexpected
take on the Christmas carol that requires virtuosity from the pianist and the
cellist, and can be very good as an ice-breaker or a closing piece in a
Christmas program. ·
Premiere: Recording by Julie Reimann and Ellyses
Kuan, June 2022 |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Alto
Saxophone
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score & parts
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Los Campanilleros (The Bell Ringers) - ARRANGEMENT
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·
Dedicated to Manu
Brazo ·
Length: 4 minutes ·
Mood: soulful with flamenco influence ·
Description: This is not an original composition, but rather a
playful arrangement of a well-known traditional Christmas Carol from the
beginning of the XX century in Andalucía, Spain. ·
Premiere: Recording by Julie Reimann and Ellyses
Kuan, June 2022 |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Alto
Saxophone
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score & parts
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audio
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video
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