José L. Elizondo

What musicians say about his music:

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About Danzas Latinoamericanas:

I was privileged to have discovered and performed a work of such refreshing charm as 'Danzas Latinoamericanas' [originally] written for two celli by José Luis Elizondo. I am confident 'Danzas' will assume a prominent place [...] as a gem of inspiration, melodic inventiveness and rhythmic vitality. The languid sensuality of the second movement, a Brazilian Samba, is unspeakably beautiful. I cannot think of another work in the musical universe that more effectively evokes the flavors and colors of Latin America than 'Danzas' and we cellists are lucky enough to call it our own!

Robert Deutsch, cellist, Houston Symphony Orchestra


About Estampas Mexicanas:

Driven by exciting and varied rhythms and shaped by beautiful, characteristic melodies Estampas Mexicanas is a favorite of players and audiences alike. This well crafted piece makes effective use of a wide variety of percussion instruments [...] Each of the three movements can stand on its own. Conductors will be challenged to conduct the shifting meters but will find the effort rewarding.

Maestro Wayne Toews, Music Director, Saskatoon Youth Orchestra


About Pan de Azucar:

Pan de Azúcar is an elegantly beautiful piece, lyrical and limpid. It charmed our audience, and my orchestra fell in love with it from the start. It is a real gem of a piece which engages listeners and performers alike.

Troy Peters, Music Director, Vermont Youth Orchestra


About La Leyenda del Quetzal y la Serpiente:

La Leyenda del Quetzal y la Serpiente was a perfect fit for our festival "Mexican Journeys 2002". It explored the imaginary world of the Aztec myths and transported audiences to the magical places of Aztec dreams. The music is hauntingly descriptive --the exotic indigenous world depicted by a mixture of folkloric elements and classical romanticism.

Sergio Buslje, Music Director, Pan American Symphony Orchestra


About Estampas Mexicanas:

Its Mexican flavor has a refreshing vitality [...] particularly those passages which explore the pre-Columbian roots of Mexican culture.

Robert X. Rodriguez, composer-in-residence, San Antonio Symphony Orchestra


About Estampas Mexicanas:

Very attractive composition

Vladimir Ashkenazy, Music Director, Deutsches Symphonie Orchester


About Estampas Mexicanas:

Our performance of Estampas Mexicanas met with great enthusiasm at our concert yesterday! We opened the concert with the piece and people were already applauding right after the first section!

David P. Schwan, President, Chicago Businessmen's Orchestra


About Princesa de Hadas and Excursion a la Montaña:

Jose's writing for flute centers around his beautiful melodies, which make his music as enjoyable to play as it is to listen to. His wonderful programmatic titles never fail to inform and inspire my performances.

Sarah Twichell, Flutist, The Hart School of Music


About Estampas Mexicanas:

It was a great pleasure to work with Estampas Mexicanas which combines innate, expressive sensibilities with fine compositional technique and secure orchestration. Both the audience and the orchestra thoroughly enjoyed this piece.

Dr. Bruce Polay, Music Director, Knox-Galesburg Symphony


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